Vol. 23 No. 1 (2019): Victorian Interfaces

Published: 2020-06-11

Articles

• Introduction

  Mandy Treagus, Madeleine Seys

  i-x

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• Novel/magazine interfaces: the “long” serialisation of Wilkie Collins’s Armadale

  Catherine Delafield

  1-13

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• “Marianne Knight | Godmersham Park”: Inscription as Community Interface in the Books of Jane Austen’s Niece

  Francesca Kavanagh

  14-27

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• Coventry Patmore’s Journalism: The Interface between Conservative Politics and Social Justice

  Lesa Scholl

  28-38

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• The Last of England: A Work for Solo Piano After the Painting by Ford Madox Brown

  Richard Chew

  39-51

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• The Gaze Between: What Happens when the Egyptian Harem Re-turns the Gaze of an Englishwoman

  Beth Leonardo Silva

  52-66

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• Manus Ex Machina: The Tactile Interface of Lady Audley’s Secret

  Ann Gagné

  67-79

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• The Body as Interface: New Woman Identity in George Egerton’s “The Regeneration of Two”

  Charlotte Kelso

  80-93

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Book Reviews

• Fashion and Narrative in Victorian Popular Literature: Double Threads. Routledge Studies in Nineteenth-Century Literature (rev.)

  Kiera Vaclavik

  94-95

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• The Transferred Life of George Eliot: The Biography of a Novelist (rev.)

  Joanne Wilkes

  96-97

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• The Constant Listener: Henry James and Theodora Bosanquet: An Imagined Memoir (rev.)

  Daniel Hannah

  98-99

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• Oliphant, Margaret. At His Gates. The Selected Works of Margaret Oliphant: The Pickering Masters Series, Part VI, Volume 23 (rev.)

  Maura Ives

  100-101

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Notes on Contributors

• Notes on Contributors

  Mandy Treagus, Madeleine Seys

  102-104

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