[1]
“‘…An Asian Dummy with an Aussie Voice’: Ventriloquism and Authenticity in Nam Le’s The Boat and Tim Winton’s The Turning”, JASAL, vol. 14, no. 3, Oct. 2014, Accessed: Nov. 25, 2024. [Online]. Available: https://openjournals.library.sydney.edu.au/JASAL/article/view/10273