Introduction to Piero Bigongiari’s Greek Wrintings
Abstract
To be Italian in modern times has meant being haunted by disillusionment. Since
the Enlightenment, writers and philosophers, Italian and not, have never stopped
reminding Italy of the greatness of the early civilizations that flourished on its soil.
There is nothing wrong with this, except that Italians themselves know it all too
well. Their own marvelling is tinged with a feeling that by comparison those earlier
civilizations put the modern Italian self to shame. This inadequacy in relating to
history has been one of Italy’s self-criticisms ever since Giacomo Leopardi (1798-
1837) sublimated his own sense of failure into a national principle: the ancients
were the youth of the world, whereas moderns, coming so late, are its old age, too
degraded in spirit to live up to the ancient legacy. Italy’s antiquity is also its
tragedy, in that the country holds in its own hands the proof of what it once was
but seems incapable of becoming once more. Moderns have slipped too far from
the graceful Classical template, and have no equivalent systems to raise their spirits
or words anywhere near their precedents. So much of modern Italian mental life
has been about making do.