Strange Letters Editorial




strange, more-than-human, letter writing, epistolory, COVID-19, entanglement


This special issue arises from a virtual symposium held on 5 February 2021 which sought to challenge the letter writing tradition, interrogating the communicative capacity of the more-than-human. This seemed strangely fitting, occurring as it did in the middle of the COVID-19 pandemic when the nonhuman was asking us to listen; a period of life gone strange in which we were forced to adopt new modes of meeting, communicating and being together-apart. As the symposium website describes, we were ‘dislocated from one another by lockdowns, border closures, and the unsustainability, cost, and even danger of travel’.  The marked rise in letter writing throughout the COVID-19 lockdowns emerged as a means of countering this dislocation, taking advantage of the epistolary form’s unique qualities as a way of being together-apart (Jenkins). Perhaps this trend was a reflection upon shifting temporalities (compared to other ways of communicating, the slowness of the postal service became less crucial amidst shifts in day-to-day realities), but also perhaps out of a desire to connect. But as we turned our attention to the Earth, the environment, to the more-than-human, we were called to rethink such correspondence. The symposium asked us to imagine how our letters might help us to connect with others through ‘arboreal love letters and existential ruminations’ as were written to the trees of Naarm (Melbourne) (City of Melbourne; Hesterman) or by ‘making-strange … ideas of ancestry, earth, law, weather and writing itself’ as Alexis Wright implored us to do in her letter ‘Hey, Ancestor!’ in The Guardian in 2018, or by paying attention to the way that nonhumans communicate with each other, as Vicki Kirby suggests when describing lightning as ‘a sort of stuttering chatter between the ground and the sky’ (10).1

Author Biographies

Chantelle Bayes, Griffith University

Chantelle Bayes is a writer, sessional lecturer, and researcher in the environmental humanities. Her work has been published in TEXT, M/C Journal, Meniscus and Axon. Her book Reimagining Urban Nature: Literary Imaginaries for Posthuman Cities is available through open access at Liverpool University Press. 

Chantelle Mitchell, Independent Researcher and Artist

Chantelle Mitchell is a researcher, curator and writer leveraging fragmentary and archival approaches to address structure and place in ecological frames.

Jaxon Waterhouse, Independent Researcher and Artist

Jaxon Waterhouse is a writer and publisher exploring greening philosophy and seeking new ways to talk about the natural world and our place within it.






Editorial Note