She Casts Herself as Revolutionary: Performance and Performativity in <em>The Man Who Loved Children</em>

Authors

  • Brigid Rooney Macquarie University

Keywords:

Christina Stead, Marxism, Nietzsche, fiction

Abstract

This paper explores how Stead's contact with Marxism and her reading of Nietzsche shape the revolutionary subject inThe Man Who Loved Children.

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Published

2013-01-23

Issue

1996: Current Tensions: Proceedings of the 18th Annual conference 6-11 July 1996

Section

Articles

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