|
Issue |
Title |
|
Vol 12, No 3 (2012): Philosophy, Canonicity, Reading |
Wild and Woolley: A Publishing Memoir, by Michael Wilding |
Abstract
PDF
|
Rosslyn Almond |
|
Vol 13, No 3 (2013): Reconfiguring the National Imaginary |
William Pember Reeves: Writing the Fortunate Isles |
Abstract
PDF
|
Meg Tasker |
|
Vol 3 (2004) |
Windshuttling The Right: Some Australian Literary and Historical Adaptations for the Stage |
Details
PDF
|
Helen Thomson |
|
2000: Australian Literary Studies in the 21st Century |
Women, Nature and Poetic Dwelling: ecofeminism and the poetries of Phyllis Webb and Judith Wright |
Abstract
PDF
|
Louise Thomason |
|
Vol 3 (2004) |
Words of Water: Reading Otherness in Tourmaline and Oyster |
Details
PDF
|
Bernadette Brennan |
|
Vol 10 (2010): Currents, Cross-Currents, Undercurrents |
Working-class Youth Subcultures: Resistance and Exploitation in Criena Rohan's The Delinquents and Mudrooroo's Wild Cat Falling |
Abstract
PDF
|
Ian Herbertson |
|
Vol 16, No 2 (2016): World readers: the Transnational Locations of Australian Literature |
World Readers: the Transnational Locations of Australian Literature |
Abstract
PDF
|
Brigitta Olubas, Tony Simoes da Silva |
|
Vol 15, No 3 (2015): Australian Literature / World Literature: borders, skins, mappings |
Worlds Within: Hayes Gordon, Zika Nester, Henri Szeps and the Transformations of Australian Theatre |
Abstract
PDF
|
Anne Pender |
|
Vol 12, No 1 (2012): Field, Curriculum, Emotion |
Writing Country: Composition, Law and Indigenous Ecopoetics |
Abstract
PDF
|
Peter Minter |
|
Vol 14, No 3 (2014): Country |
Writing Country: Lightning, Agony, and Vertigo |
Abstract
PDF
|
Brian Castro |
|
Vol 14, No 3 (2014): Country |
Writing Forward, Writing Back, Writing Black—Working Process and Work-in-Progress |
Abstract
PDF
|
Gus Worby, Simone Ulalka Tur, Faye Rosas Blanch |
|
Vol 14, No 1 (2014): DisLocated Readings: Translation and Transnationalism |
Writing from the periphery: the haunted landscapes of James McAuley |
Abstract
PDF
|
Jean Page |
|
Vol 2 (2003) |
Writing in "A Fairy Story Landscape": Fairy Tales and Contemporary Australian Fiction |
Details
PDF
|
Lisa M. Fiander |
|
Vol 4 (2005) |
Writing the 'Fatal Moment' Crisis, Community and the Literary Imagination in M. Barnard Eldershaw's Tomorrow and Tomorrow and Tomorrow |
Details
PDF
|
Julieanne Lamond |
|
Vol 11, No 2 (2011): Undead Ghosts: Spectrality and the Transgression of Cultural Norms |
Writing the Nation: Patrick White and the Indigene, by Cynthia Vanden Driesen |
Abstract
PDF
|
Georgina Eve Loveridge |
|
1997: Land and Identity: Proceedings of the Nineteenth Annual Conference |
Writing Women: Gender, Identity and Representation in Coonardoo and A Kindness Cup |
Abstract
PDF
|
Sue Kossew |
|
Vincent Buckley Special Issue (2010) |
‘[W]ry-necked memory’: the Matter of Ireland in Cutting Green Hay and Memory Ireland, and the poems of The Pattern. |
Abstract
PDF
|
Frances Devlin-Glass |
|
Vol 21, No 2 (2021): Conference Issue: Reading and Writing Australian Literature |
‘You don’t know that country’: Mapping Space in Randolph Stow’s To the Islands |
Abstract
PDF
|
Catherine Noske |
|
Vol 20, No 2 (2020): From Colony to Transnation |
“You lucky people!” Tommy Trinder on stage and film as a public vector of post-war Anglo-Australian projects of land, food and people |
Abstract
PDF
|
Veronica Kelly |
|
Vol 7 (2007) |
"Your Vote Is Wanted": C.J. Dennis at the Call |
Abstract
PDF
|
Philip Butterss |
|
Vol 21, No 1 (2021) |
Yvonne Smith, David Malouf and the Poetic: His Earlier Writings |
Abstract
PDF
|
Patrick Buckridge |
|
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