Editor's Note

Authors

  • CA. Cranston University of Tasmania

DOI:

https://doi.org/10.60162/swamphen.1.10582

Keywords:

Cultural ecology, ecocriticism, green studies

Abstract

This first volume of AJE comes out of the ‘Sounding the Earth: Music, Language and Acoustic Ecology’ conference held in Launceston, Tasmania, in 2010. While the essays in this volume all touch, in some way, the ideas of music, language, and acoustic ecology, the ‘place’ of human-made music occupies the work of Bruce Watson, and John Parham. Language, specifically the language of Nature Writing, is historicised in Noelene Kelly’s work; the non-human music and language of trees (Barbara Holloway) and birds (Hollis Taylor) shift the focus to acts of listening, seeing, and representation. Isabelle Delmotte explores the sounds of silence in filmic media, and provides examples and an overview of what is meant by ‘acoustic ecology’. 

Author Biography

CA. Cranston, University of Tasmania

Journal Manager and Editor, AJEImmediate past president, ASLEC – ANZEcocriticism: The Littoral Zone: Australian Contexts and their Writers. Introduced and edited by CA.Cranston and Robert Zeller. Amsterdam & New York: Rodopi, 2007.School of English, Journalism and European Languages (1987-2008).  Honorary Research Associate (2008-2012).

Downloads

Published

2011-11-28

Issue

Vol. 1 (2011): Australasian Journal of Ecocriticism and Cultural Ecology

Section

Editorial Note

License

Authors who publish with this journal agree to the following terms:

    1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
    2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
    3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).