Minds in the Cave: Insects as Metaphors for Place and Loss

Authors

  • Harry Nankin RMIT University

DOI:

https://doi.org/10.60162/swamphen.3.10602

Keywords:

Bioregionalism, ecopoetics, ecological art

Abstract

The practice-led PhD art research project 'Gathering Shadows' investigates the visual poetics of a speculative ‘ecological gaze’ at a time of ecological crisis. The project considers two environments but avers from the distancing objectification characteristic of lens-based capture and the tired genre of ‘landscape’. Instead, it proposes a symbolic order in which imagery of native invertebrates are presented as indices of the generic non-human 'Other'. This is conveyed with reflections on deep time, ecological sited-ness, ecological continuities and, most importantly, ecological disruption. Employing a unique analogic plein air technique for recording diminutive live subjects without a camera, the research pivots upon a trio of ecomimetic cues: first, its deeply indexical processes reveal an insect umwelten of uncanny intimacy and semiotic presence. Second, it is a process in which images tend to be facilitated not predetermined, where results are partially outcomes of chance-driven, counter-anthropocentric interactions between artist and environment. Third, rather than evoke traditional use of chiaroscuro the artworks present an inverted world of x-ray-like shadows—an oblique and somber metaphor appropriate to the 'dark' ecological conditions the project confronts. The project responds to two sites: semi-arid Lake Tyrrell in the Victorian Mallee, and the sub-alpine plateau of Mount Buffalo. Lake Tyrrell once informed a sacred reciprocity of sky with country in indigenous culture. The loss of this reciprocity is memorialised by using raw starlight falling on the lakebed to contact-print fresh photographic films with the imagery of relics of insect fauna gathered from the lakeshore. In the Australian Alps (the subject of this paper) the project focuses on the keystone species Bogong Moth Agrotis Infusa. These iconic invertebrates, and the imminent decline of their ecosystem due to climate change, inform the exquisitely detailed digital enlargements derived from cameraless images of swarming moths gathered from a summit cave. 

Author Biography

Harry Nankin, RMIT University

Harry Nankin is an Australian educator, photographer and environmental artist. His practice focuses on the contested meanings ascribed to Nature/nature in the midst of ecological crisis, a quest he describes as the search for an ‘ecological gaze’. He is the author of two award-winning books about the Australian high country. He is the recipient of multiple grants from the Australia Council and Arts Victoria and his work has been exhibited, reviewed and collected on three continents. His practice-led PhD research project Gathering Shadows: landscape, photography and the ecological gaze explores how an ecopoetics of place resonant of deep time and tragedy might be created through photography used as a tactile, plastic and optical medium. Harry Nankin teaches sessionally at RMIT University in Melbourne. He is represented by Dianne Tanzer Gallery. 

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Published

2013-09-06