Affective poetics & Public access: the critical challenges of environmental art.

Authors

  • Linda Williams RMIT University

DOI:

https://doi.org/10.60162/swamphen.3.10603

Keywords:

Environmental Art, Climate Change, Affect, Global ecologies, Ecocriticism, Public Art.

Abstract

While this paper recognises that the dominant discourses of contemporary art remain anthropocentric, it identifies environmental art as a relatively recent movement in a shift towards a nascent cultural recognition of shared human and nonhuman global ecologies. Using the heuristic contrast of a ‘slow’ art of affective poetics as against a ‘fast’ art of public accessibility, the paper aims to define some of the major critical challenges of contemporary environmental art. In particular, whilst acknowledging the pressing need for a cultural response to climate change and loss of biodiversity, it considers some of the problems in the use of what it refers to heuristically as ‘fast’ art as a means of proselytising an environmental message. On the other hand, the paper questions how a ‘slow’ art of affective poetics might be adapted to reach a wider public.

 

Author Biography

Linda Williams, RMIT University

Linda Williams is Associate Professor of Art, Environment and Cultural Studies in the School of Art, RMIT UNIVERSITY, Melbourne

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Published

2013-11-04