A "Bastard Science"? Ruskin's Political Economy of Art

Authors

  • Andrew Yeng

Keywords:

visual art, John Ruskin, art criticism, Victorian period

Abstract

  

References

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Brooks, Michael. John Ruskin and Victorian Architecture. London: Thames, 1989.

Christian, John. "'A Serious Talk': Ruskin's Place in Burne-Jones's Artistic Development." Pre-Raphaelite Papers. Ed. Leslie Parris. London: Tate, 1984, 184-205.

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---. Ruskin and Oxford: The Art of Education. Catalogue of an Exhibition at the Ashmolean Museum, Oxford and the City Museum and Mappin Art Gallery, Sheffield. Oxford: Clarendon Press, 1996.

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Ruskin, John. The Works of John Ruskin. Ed. E.T. Cook and A. Wedderbum. 39 vols. London: Allen, 1904.

---. "The Nature of Gothic," The Stones of Venice. 1853. Unto this Last and Other Writings 77-109.

---. Unto this Last and Other Writings. Ed. Clive Wilmer. London: Penguin, 1985.

Seed, John. "'Commerce and the Liberal Arts': The Political Economy of Art in Manchester, 1775-1860." Wolff 45-81.

Surtees, Virginia. Reflections of a Friendship: John Ruskin's Letters to Pauline

Trevelyan 1848-1866. London: Allen and Unwin, 1979.

Wheeler, Michael ed. Nineteenth-Century Contexts: An Interdisciplinary Journal. Special Issue: John Ruskin 18 (1994).

---. Ruskin and the Environment: The Storm Cloud of the Nineteenth Century. Manchester: Manchester UP, 1995.

Wolff, Janet and John Seed eds. The Culture of Capital: Art, Power and the Nineteenth-Century Middle Class. Manchester: Manchester UP, 1988.

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Published

2020-06-11

How to Cite

Yeng, A. (2020). A "Bastard Science"? Ruskin’s Political Economy of Art. Australasian Journal of Victorian Studies, 2(1), 153-165. https://openjournals.library.sydney.edu.au/AJVS/article/view/13667