The Victorian Horizon

Arnheim, Rudolph. Art and Visual Perception: The New Version. Berkeley: U of California P, 1974.

“Australie" [Em0ily Manning]. "The Weatherboard Fall." The Balance of Pain and other Poems. London: Bell, 1877.

Baillie, Joanna. "London." 1840. Nineteenth-Century Women Poets. An Oxford Anthology. Ed. Isobel Armstrong and Joseph Bristow. Oxford: Clarendon, 1996.

Breton, W. H. Excursions in New South Wales, Western Australia and Van Diemen's Land. London: Bentley, 1833.

[Brewster, Sir David]. "The Sight and How to See." North British Review 26 (1856): 145-84.

Bullen, J.B. The Expressive Eye. Fiction and Perception in the Work of Thomas Hardy. Oxford: Oxford UP, 1986.

Carter, Paul. The Road to Botany Bay. An Essay in Spatial History. London: Faber, 1987.

Clifton, Louisa. Journal 1841 Ed. Michael Ackland. The Penguin Book of Nineteenth-Century Australian Literature. Ringwood, Victoria: Penguin, 1993.

[Coleridge, M.E.] "Eyes." Fancy's Following. Oxford: Daniel, 1896.

Conrad, Joseph. Lord Jim. 1900. London: Dent, 1923.

Dale, Peter Allan. In Pursuit of a Scientific Culture. Science, Art, and Society in the Victorian Age. Madison: U of Wisconsin P, 1989.

Damisch, Hubert. The Origins of Perspective. 1987. Trans. John Goodman. Cambridge, Mass.: MIT P, 1994.

Darwin, Charles. The Voyage of the Beagle. 1845, 1860. London: Dent, 1906.

Eliot, George. Daniel Deronda. Harmondsworth: Penguin, 1967.

---. Middlemarch.1869-70. Ed. David Carroll. Oxford: Clarendon, 1986.

Froude, James Anthony. "English Seamen in the Sixteenth Century." Lectures delivered at Oxford, Easter Terms 1893-4. 1895. London: Longmans, 1919.

Gage, John. Color in Turner. New York: Praeger, 1969.

Hardy, Thomas. Far from the Madding Crowd. 1874. London: Macmillan, 19l2.

Harlaw, James. The Charm of Millais. London: Jack, 1913.

Helms, Mary. Ulysses's Sail: an Ethnographic Odyssey of Power, Knowledge, and Geographical Distance. Princeton: Princeton UP, 1988.

Home, R.H. The Poor Artist; or, Seven Eye-sights and One Object.2nd edition. With a preliminary essay on "Varieties of Vision in Man. London: Van Voorst, 1871.

Husserl, Edmund. Cartesian Meditations. An Introduction to Phenomenology. 1931. Trans. Dorian Caims. The Hague: Nijhoff, 1960.

---. The Origin of Geometry. Intro. Jacques Derrida. Trans. from L'origine de la

géométrie.1962.

Kristeva, Julia. Desire in Language. Ed. Leon S. Roudiez. Trans. Thomas Gora, Alice Jardine, and Leon S. Roudiez. New York: Columbia UP, 1980.

Krauss, Rosalind. Optical Unconscious. Cambridge, Mass: MIT P, 1993.

Kroeber, Karl. British Romantic Art. Berkeley, Los Angeles: U of California P, 1986.

Lewes, George Henry. Problems of Life and Mind. lst Series. The Foundations of a Creed.2 vols. London: Trübner, 1874.

Millais, John Guille. The Life and Letters of Sir John Everett Millais, President of the Royal Academy / By his Son. London: Methuen, 1899.

Moore, A.W. Infinity. Aldershot Dartmouth, 1993.

Nesbit, Edith. "Under Convoy." Leaves of Life. London: Longmans, 1889.

Ruskin, John. The Works of John Ruskin. 39 vols. Ed. E.T. Cook and Alexander Wedderburn. Cambridge: Cambridge UP, 1981.

---. The Elements of Drawing, Works 15.

---. Modern Painters 2, Works 4.

Seeley, J.R. The Expansion of England.1883. Ed. John Gross. Chicago: U of Chicago P, 1971.

Smith, David Woodruff and Donald McIntyre. "Husserl's Notion of Horizon." Husserl and Intentionality. A Study of Mind, Meaning, and Language. Dordrecht: Reidel, 1982. 227-65.

Spufford, Francis. I May be Some Time. London: Faber, 1996.

[Stephens, F. G.] 'Notes on a Collection of Pictures by Mr. John Everett Millais, R.4., Exhibited at the Fine Art Society's Rooms, 148 New Bond Street 1881." London: Fine Art Society, 1881.

Van Peursen, Cornelius A. “The Horizon." Husserl: Expositions and Appraisals. Ed. Frederick A. Elliston and Peter McCormick. Notre Dame: U of Notre Dame P, 1977.