Through the Looking Glass: Ideology and the Family in the Photographs of Clementina, Lady Hawarden, 18598-1865

Authors

  • Lynn Shakinovsky

Keywords:

photography, photographers, Clementina, Lady Hawarden, family

Abstract

  

References

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---. “The Work of Art in the Age of Mechanical Reproduction." Illuminations. Trans. Harry Zohn. Glasgow: Fontana/Collins, 1973. 219-253.

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Burgin, Victor. “Photographic Practice and Art Theory." Thinking Photography. Ed. Victor Burgin. London: Macmillan, 1982. 39-83.

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Hirsch, Marianne. Family Frames: Photography, Narrative, and Postmemory. Cambridge, Mass.: Harvard UP, 1997.

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Mavor, Carol. Becoming: The Photographs of Clementina, Viscountess Hawarden. Durham and London: Duke, 1999'

Rejlander, O.J. “In Memoriam." British Journal of Photography. 12 (27 January 1865): 38

Rudisill, Richard. Mirror Image: The Influence of the Daguerreotype on American Society. Alburquerque: New Mexico Press, 1971.

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London: U of Chicago P,1997.

Sekula, Allan. "On the Invention of Photographic Meaning." Thinking Photography. Ed. Victor Burgin. London: Macmillan, 1982. 84-109.

Slater, Don. “Consuming Kodak." Family Snaps: The Meaning of Domestic Photography. Ed. Jo Spence and Patricia Holland. London: Virago, 1991. 49-59.

Sontag, Susan. On Photography. New York: Farrar, Straus, and Giroux, 1973.

Tagg, John. “The Currency of the Photograph." Thinking Photography. Ed. Victor Burgin. London: Macmillan, 1982. 110-141.

Warner, Marina. "Introduction." Lady Hawarden: Studies from Life, 1857-1864. By Virginia Dodier. New York: Aperture, 1999. 6-8.

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Published

2020-06-11

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Articles