Religion, Literature and the Arts Project: Conference Proceedings of the Australian International Conference 1996

Articles

• Front Matter

  Michael Griffith, James Tulip

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• Is God the Product of Our Imagination?

  Karen Armstrong

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• Music as a Meeting Ground for the Other Arts and the Religious Quest

  Nigel Butterley

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• Dark Vocation: Religion in the Life and Work of Two New Zealand Creative Artists - James K. Baxter and Colin McCahon

  Elizabeth Isichei

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• ‘The Range of Goods We Live By’: Some Reflections on the Garner Controversy

  David Parker

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• Love and Death on the Longest Journey: Dante’s 'Commedia'

  Peter Steele

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• Poetry and Being: Metaphor, Paradox and the Awakened Life

  Al Zolynas

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• William Blake and His Impact on the Literary, Artistic and Religious Imagination in Australia: Report on a Research Project in Progress

  Michael Griffith

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• Tim Winton: Dark Rubbled Places (Where There Is Only Crucifixion)

  Elizabeth Guy

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• Searching for Living Water: Sally Morgan, Kim Scott and Glenyse Ward and the Quest for Aboriginal Identity

  Roderic Lacey

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• American Religion/Australian Religion

  James Tulip

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• Demythologising, Deconstruction, Scientia and Logos

  Raymond Aaron Younis

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• Miracles

  Sarah Dowse

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• ‘Fleshing the Bones’: Conducting Inter-Faith Dialogue in Fiction

  Christine Mangala Frost

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• A Tour through my Critics

  Rae Desmond Jones

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• God and Whose Imagination?

  Gerard Windsor

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• Deepening the Furrow

  Fay Zwicky

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• Derrida's God

  Victoria Barker

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• Two Views of Art

  Stephen Cross

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• The Twentieth Century Inheritance: Myths, Metaphors and a Metahistorical Imagination

  Michael Griffin

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• Beyond God the Father: The Manawaka Novels of Margaret Laurence as a Feminist Rewriting of T. S. Eliot’s Four Quartets

  K. Chellappan

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• Is God a Verb? The Dynamics of the Divine in Religious Poetry

  Charlotte Clutterbuck

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• Eschatology in Contemporary German Lyrical Poetry

  Norman Franke

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• Religion and Silence

  Gargi Ganguly

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• Displaced Belief: The Role of Religious Textual Conventions in the Practices of Production and Interpretation of Meaning in English Literary Texts

  Rosemary Huisman

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• The Necessary Angel of the Earth

  Vaclava Vlazna

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• God and the Great Failure: Poetry from the Irish Famine

  Chris Watson

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• 'Deus in Machina': Godscapes in Cyberspace

  Janeen Webb

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• The Franks Casket: An Anglo-Saxon Synthesis of Religion, Literature and Art

  Daniel Bray

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• Stained Glass Wars: Issues of Nationalism, Propaganda, Race and Gender in New Zealand’s Stained Glass Windows

  Fiona Ciaran

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• The Influence of Late Medieval Crucifixion Images on the Showings of Julian of Norwich

  Kerrie Hide

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• A Study in Iconography: St Catherine of Alexandria

  Carolyn Muir

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• The Appeal of Integration: The Influence of Joseph Priestly on the Development of the Visual Arts and Fiction in the Late Eighteenth and Early Nineteenth Centuries

  Peter Stiles

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• Arachne’s Weaving: Disentangling the Ambiguities of Irreligious Representations of the Divine

  Carole M. Cusack

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• Can God Be Present in the Liturgy in an Age of Deconstruction?

  Graham Hughes

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• Rising out of Chaos: Extricating Religion from an Architecture of Complexity

  Michael Ostwald, John Moore

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• The Art of Japanese Zen Gardens as Reflected in a Metafictional Novel

  Etsuko Tanaka-Karlic

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• Freedom and Servitude in the Tempest: A Theology of Grace

  John Wall

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