Thomas Hardy and Charlotte Mew: Queering the Ballad/Issues of Poetic Identity
Keywords:
Thomas Hardy, Charlotte Mew, queer, ballad, poetry, identity, poets, Victorian poetryAbstract
References
Castle, Terry. The Apparitional Lesbian: Female Homosexuality and Modern Culture. New York: Columbia UP, 1993.
Davidow, Mary C. "Charlotte Mew and the shadow of Thomas Hardy." Bulletin of Research in the Humanities 81 (1978): 437-447.
Day, Gary and Gina Wisker. "Recuperating and Revaluing: Edith Sitwell and Charlotte Mew." British Poetry 1900-50. Eds. Gary Day and Brian Docherty. New York: St Martin's Press, 1995: 65-80.
Denisoff, Denis. "Grave Passions: Enclosure and Exposure in Charlotte Mew's Graveyard Poetry." Victorian Poetry 38.1 (2000): 125-140.
Jagose, Annamarie. Queer Theory: an Introduction. New York: New York UP, 1996.
Jones, Tod E. "Michael Henchard: Hardy's Male Homosexual." Victorian Newsletter 86 1994 Fall: 9-13.
Millgate, Michael. Thomas Hardy: a biography. Oxford: Oxford UP, 1982.
Motion, Andrew. Philip Larkin: a writer's life. London: Faber & Faber, 1993.
Hardy, Florence Emily. The Life of Thomas Hardy. Basingstoke: Macmillan, 1962; rpt. 1965.
Gibson, James. Ed. The Complete Poems of Thomas Hardy. New Wessex edition. London: Macmillan, 1976.
Leighton, Angela. Victorian Women Poets: Writing Against the Heart. New York and London: Harvester Wheatsheaf, 1992.
Merrin, Jeredith. "The Ballad of Charlotte Mew." Modern Philology 95.2 (1997): 200-217.
Raitt, Suzanne. "Charlotte Mew and May Sinclair: a love-song." Critical Quarterly 37.3 (1995): 3-17.
Walsh, Jessica. " 'The strangest pain to bear': Corporeality and Fear of Insanity in Charlotte Mew's Poetry." Victorian Poetry 40.3 (Fall 2002): 217-240.
Warner, Val. Ed. Charlotte Mew, Collected Poems and Prose. 1981; London: Virago, 1982.
