Vol. 9 No. 1 (2003): Victorian Identities

Published: 2020-06-11

Articles

• The Idea of Development: Decadence, Aestheticism and Sexual Identity in Pater's Marius the Epicurean (1885)

  Heike Bauer

  1-15

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• Thomas Hardy and Charlotte Mew: Queering the Ballad/Issues of Poetic Identity

  Virginia Blain

  16-27

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• The Patient as Object and Spectacle in W.E. Henley's Hospital Poems

  Edward H. Cohen

  28-39

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• Missionaries, Monstrosities or Modern Female Fanatics? (Re)presenting the Identities of Nineteenth-Century Advocates of Women's Rights

  Jenny Coleman

  40-51

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• Germs, Body-Politics and Yellow Peril: Relocation of Britishness in The Yellow Danger

  Yorimitsu Hashimoto

  52-66

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• "Monarch of All I Survived, and Lord of the Fowl and the Brute" or Man of Science: The Dilemma of the Explorer in Nineteenth-Century Australia

  Kerry Heckenberg

  67-88

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• Missionary Men: Forming Identities in Imperial Evangelical Britain

  Anna Johnston

  89-105

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• "Advance Australia Fair": Australia's Nation-Making Ethic and Its Manner of Persistence

  Christopher Kelen

  106-127

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• Julius Knight, Australian Matinee Idol: Costume Drama as Historical Re-Presentation

  Veronica Kelly

  128-144

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• Equestrian Knowledge and the Middle-Class Man, Or the Peculiar Merits of Falling Off

  Susanna Ryan

  145-171

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• "Mrs Gladstone's Drawers": Language and Identity in Victorian Families

  Christopher Stray

  172-187

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Forum

• The Cambridge Companion to George Eliot (rev.)

  Isobel Armstrong

  188-191

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• The Cambridge Companion to George Eliot (rev.)

  Tim Dolin

  191-197

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• The Cambridge Companion to George Eliot (rev.)

  Judith Johnston

  197-200

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• The Cambridge Companion to George Eliot (rev.)

  Andrew H. Miller

  200-203

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• Response

  George Levine

  203-210

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Book Reviews

• Dark Smiles: Race and Desire in George Eliot (rev.)

  Audrey A. Fisch

  211-213

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• Literature, Science, Psychoanalysis, 1830-1970: Essays in Honour of Gillian Beer (rev.)

  Tamara Ketabgian

  213-216

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• Pygmalion and Galatea: The History of Narrative in English Literature (rev.)

  Lee Behlman

  216-220

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• Aubrey Beardsley and British Wagnerism in the 1890s (rev.)

  Paul Fox

  220-221

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• Jane Austen and the Morality of Conversation (rev.)

  Juliette Wells

  222-224

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• New Approaches to the Literary Art of Anne Brontë (rev.)

  Abigail Burnham Bloom

  224-226

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• The Alternative Sherlock Holmes: Pastiches, Parodies and Copies (rev.)

  Michael Sharkey

  226-228

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• Phil May: His Life and Work 1864-1903 (rev.)

  Robert Dingley

  228-230

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• Venus in Transit: Australia's Women Travellers, 1788-1930 (rev.)

  Daniel Gorman

  231-233

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• Tradition and the Poetics of Self in Nineteenth-Century Women's Poetry (rev.)

  Marcy L. Tanter

  233-235

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• Thomas Hardy, Monism, and the Carnival Tradition: the One and the Many in "The Dynasts" (rev.)

  Ian Wilkinson

  236-237

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• Lives of Victorian Literary Figures I: Eliot, Dickens, and Tennyson by Their Contemporaries (rev.)

  Patrick Leary

  238-240

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Notes on Contributors

• Notes on Contributors

  Catherine Waters

  241-244

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