Who Cares Who’s Speaking? Cultural Voice in Peter Carey’s True History of the Kelly Gang
Keywords:
Peter Carey, True History, Ned Kelly, cultural voiceAbstract
When we speak about voice as it relates to specific individuals, we invariably strive to define its qualities: idiomatic, posh, intellectual, lowbrow, highbrow, regional, rural, suburban, urbane, musical, mellow, honeyed—a range of tonal, and competence-defined terms get used, but also place-related ones in terms of accent—geographical indicators like language and vernacular patterns of speech. Our descriptions endeavour, in some form, to identify voices in sensual terms that either locate them in time and space or which respond to the sensuality of hearing by making value judgments that categorise voices as having an impact upon the listener—pleasurable or otherwise. Voice hints, somewhat tantalisingly, at the historical traces of its past locations through these telltale signs of social and cultural situatedness. It seems to want to tell us where it’s been over and above the grammatical indicators of where it’s coming from. Yet voice—whatever that may be and however we may define it—is a performance: “the writing in the voice” to which Derrida has referred, is that rhetorical expression of presence inherent in our speech and arranged according to the conventions and rules of language. I perform my presence, grammatically, rhetorically and semantically, when I speak: the true indicator of my being, my voice and my presence, is something I myself can only gesture toward, and in gesturing, I perform: I write myself into my voice every time I speak. In this essay I discuss, through an analysis of voice in Peter Carey’s True History of the Kelly Gang, what this means in terms of understanding voice as it is identified in the novel, arguing that cultural voice performs, in its own way, the locatedness of voice within the history of its speaker’s life.Downloads
Issue
Section
Articles
License
The copyright for articles in this journal is retained by the author(s), with first publication rights granted to the journal. By virtue of their appearance in this open access journal, articles are free to use with proper attribution in educational and other non-commercial sectors.Attribution-NonCommercial-ShareAlike 2.1 Australia
This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 2.1 Australia License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/2.1/au/ or send a letter to Creative Commons, 543 Howard Street, 5th Floor, San Francisco, California, 94105, USA.
How to Cite
Who Cares Who’s Speaking? Cultural Voice in Peter Carey’s True History of the Kelly Gang. (2010). Journal of the Association for the Study of Australian Literature. https://openjournals.library.sydney.edu.au/JASAL/article/view/10165