The Mirror in The Magic Pudding

Authors

  • Christopher Kelen University of Macau

Keywords:

Norman Lindsay, magic pudding, anthem

Abstract

This paper investigates Norman Lindsay’s 1918 illustrated children’s novel The Magic Pudding with a view to understanding how the text reflects the state of Australian wishfulness at a particular moment in the history of Australian literary consciousness and the national self-conception. In The Magic Pudding the distorting mirror shown the subject entering culture is one which hails (as it teaches) a characteristic cynicism with regard to the rules and rights of possession – a cynicism  befitting the un-nameable anywhere of the action. This essay argues that the puddin’ as possession (slave and cannibal commodity) has provided an apt palimpsest for wishful thinking of the Australian kind, likewise for Australian styles of cynicism with regard to such wishfulness.

Author Biography

  • Christopher Kelen, University of Macau
    Christopher (Kit) Kelen is an Associate Professor at the University of Macau in south China, where he has taught Literature and Creative Writing for the last seven years. The most recent of Kelen’s eight volumes of poetry, Spring Wind Brings the Fireworks – Responses to the Poetry of Xin Qiji, was published by VAC in Chicago earlier this year. A volume of Macao poems, Dredging the Delta, is forthcoming from Cinnamon Press in the U.K.

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Issue

Vol. 6 (2007)

Section

Articles

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How to Cite

The Mirror in The Magic Pudding. (2007). Journal of the Association for the Study of Australian Literature, 6, 65-78. https://openjournals.library.sydney.edu.au/JASAL/article/view/10225