A Lens on Leros: The Poet as Iconographer
Keywords:
Dimitris Tsaloumas, Literary Expatriation, Literary ExileAbstract
The focus of this essay is on the presence and significance of Leros in the poetry of Dimitris Tsaloumas. Of particular interest is the quality and agency of light; and the inclusion of Greek Orthodox references and imagery in many of his poems. These corporeal and incorporeal aspects of that island are those which Tsaloumas internalised as integral elements of his identity long before he embarked on what was to be a protracted period of voluntary exile. During his years in Australia, which contributed new input to enrich and expand his personal and poetic consciousness, Tsaloumas never lost sight of his original reference points: the natural and cultural context of Leros, and the spiritual precepts with which he was imbued by the Greek Orthodox Church.
References
Castan, Con. Dimitris Tsaloumas: POET. Box Hill, Vic.: Elikia Books, 1990.
____. Interview with Dimitris Tsaloumas. Dimitris Tsaloumas: a voluntary exile: selected writings on his life and work. Ed. Helen Nickas. Brighton, Vic.: Owl Publishing, 1999. 47–59.
Greek Orthodox Archdiocese of Australia. ‘Icons: Glimpses of Eternity’. <http://www.greekorthodox.org.au/?page_id=33670 >.
Isichos, Manolis. The Panorama of Leros. 2nd ed. Leros: Isichos, 1989.
Karalis, Vrasidas. ‘Dimitris Tsaloumas and the Music of the Unseen’. Sydney Review of Books, 12 February 2016. <https://sydneyreviewofbooks.com/dmitris-tsaloumas-and-the-music-of-the-unseen/>.
____. ‘Translingualism, Home, Ambivalence: The Poet Dimitris Tsaloumas’. Cordite Poetry Review, 1 August 2016.<http://cordite.org.au/scholarly/translingualism-home/>.
Morgan, Wendy, and Sneja Gunew. ‘Dimitris Tsaloumas: an interview’. Dimitris Tsaloumas: a voluntary exile: selected writings on his life and work. Ed. Helen Nickas. Brighton, Vic.: Owl Publishing, 1999. 33–39.
Nickas, Helen. ‘A Diasporic Journey: Greek-Australian Poetry in Bilingual and English Publications’. Cordite Poetry Review 1 August 2012. <http://cordite.org.au/?s=Dimitris+Tsaloumas>.
____. ed. Dimitris Tsaloumas: a voluntary exile: selected writings on his life and work. Brighton, Vic.: Owl Publishing, 1999.
Platt, Verity. ‘Epiphany’. The Oxford Handbook of Ancient Greek Religion. Eds. Esther Eidinow and Julia Kindt. Oxford: OUP, 2015. 492–501.
Tsaloumas, Dimitris. A Winter Journey. Brighton, Vic.: Owl Publishing, 2014.
____. Ed., and trans. Contemporary Australian Poetry. St Lucia: U of Queensland P, 1986.
____. Dipsa. Athens: Planodion, 2010.
____. Falcon Drinking. The English Poems. St Lucia: U of Queensland P, 1988.
____. Helen of Troy and Other Poems. St Lucia: U of Queensland P, 2007.
____. New and Selected Poems. St Lucia: U of Queensland P, 2000.
____. The Barge. St Lucia: U of Queensland P, 1993.
____. The Book of Epigrams. Trans. Philip Grundy. St Lucia: U of Queensland P, 1985.
____. ‘The Distant Present’. Dimitris Tsaloumas: a voluntary exile: selected writings on his life and work. Ed. Helen Nickas. Brighton, Vic.: Owl Publishing, 1999. 20–28.
____ The Harbour. St Lucia: U of Queensland P, 1998.
____. The Observatory. Selected poems of Dimitris Tsaloumas. 2nd ed. Trans. Philip Grundy. St Lucia: U of Queensland P, 1984.
Tsaloumas, Matina. Personal Correspondence. 18 March 2019.
Woodhouse, Jena. ‘Tsaloumas and the Translation of Experience’. Dimitris Tsaloumas: a voluntary exile: selected writings on his life and work. Ed. Helen Nickas. Brighton, Vic.: Owl Publishing, 1999. 192–96.
Zhyogin, Lev Fyodorovich. The Language of Iconography. (The Means to Accomplishing Ancient Art.) Moscow: Art Publishing House, 1970.
Downloads
Published
Issue
Section
License
The copyright for articles in this journal is retained by the author(s), with first publication rights granted to the journal. By virtue of their appearance in this open access journal, articles are free to use with proper attribution in educational and other non-commercial sectors.Attribution-NonCommercial-ShareAlike 2.1 Australia
This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 2.1 Australia License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/2.1/au/ or send a letter to Creative Commons, 543 Howard Street, 5th Floor, San Francisco, California, 94105, USA.