Australian Literary Studies Now
Abstract
In 2024, Emeritus Professor Philip Mead was the inaugural visiting fellow at the Roderick Centre for Australian Literature and Creative Writing. This paper, based on a public talk in June 2024, is a personal perspective on the current state of Australian literary studies, both as project in its own right and as a subset of the larger field of literary studies.
The study of Australian literature had an understandably national focus at its outset and that’s been both an asset and a liability. There’s always been a tension between valuing writing by Australian writers and the effects of ‘nationalism’. The same is true today, though in different and important ways.
Literature in Australia has had to create a space for itself that started off with a readership and a publishing industry to support that readership. Then came an at times fierce struggle for recognition in both the school and university curricula. Both sectors have had to negotiate continued and multi-factored pressures. And all along there has been a complicated and dynamic two-way relationship with a globalised publishing industry, writers’ careers, and literary culture in Australia and overseas.
Australian literary studies has been shaped by crises in both its own development and in the history of literary studies at universities. It is facing new challenges at the moment, new perspectives on national literatures, changing educational practices, and constant institutional restructuring.
So how does it look? Should we be encouraged or anxious about the future of Australian literary studies?
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