She Casts Herself as Revolutionary: Performance and Performativity in The Man Who Loved Children

Authors

  • Brigid Rooney Macquarie University

Keywords:

Christina Stead, Marxism, Nietzsche, fiction

Abstract

This paper explores how Stead's contact with Marxism and her reading of Nietzsche shape the revolutionary subject inThe Man Who Loved Children.

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Published

2013-01-23

Issue

1996: Current Tensions: Proceedings of the 18th Annual conference 6-11 July 1996

Section

Articles

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How to Cite

She Casts Herself as Revolutionary: Performance and Performativity in The Man Who Loved Children. (2013). Journal of the Association for the Study of Australian Literature, 129-136. https://openjournals.library.sydney.edu.au/JASAL/article/view/9479