Land and Identity in Barbara Hanrahan's Writing
Keywords:
Barbara Hanrahan, women's writing, autobiography, visual artAbstract
The paper argues that Hanrahan, rather than taking her identity from the landscape that was presented to her by the dominant culture, actually created, or at least shaped, a landscape in which she would be at home. It refers to The Scent of Eucalyptus and Hanrahan's prints and paintings.Downloads
Published
2013-02-13
Issue
Section
Articles
License
The copyright for articles in this journal is retained by the author(s), with first publication rights granted to the journal. By virtue of their appearance in this open access journal, articles are free to use with proper attribution in educational and other non-commercial sectors.Attribution-NonCommercial-ShareAlike 2.1 Australia
This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 2.1 Australia License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/2.1/au/ or send a letter to Creative Commons, 543 Howard Street, 5th Floor, San Francisco, California, 94105, USA.
How to Cite
Land and Identity in Barbara Hanrahan’s Writing. (2013). Journal of the Association for the Study of Australian Literature, 174-178. https://openjournals.library.sydney.edu.au/JASAL/article/view/9527