Vol. 8 (2022): Particular Planetary Aesthetics

Swamphen: A Journal of Cultural Ecology Kwilom: Noongar Milu: Kala Lagaw Yai Ping ping: Dja Dja Wurrung Porphyrio melanotus: binomial nomenclature Pūkeko: te reo Māori

Published: 2022-10-02

Editorial Note

Particular Planetary Aesthetics

Louise Boscacci, Perdita Phillips
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Essays

Seeping, maintaining, flooding and repairing How to act in a both/and world

Perdita Phillips
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Wit(h)nessing Zincland From the affective encounter to unfolding a shadow country in the Anthropocene-in-the-making

Louise Boscacci
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Relationscapes of Extinction, and More Life Zincland to Zealandia

Louise Boscacci
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Serpents, Tsunami Boulders and Lightning The more-than-human in the work of Len Lye, Takamasa Yoshizaka and Fuminori Nousaku, Motoyuki Shitamichi and Taro Yasuno

Janine Randerson
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Kāpia Fossils and remedies: more-than-human survivors

Janine Randerson
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Re-materialising Considering dominant understandings of value and systems of production within industrial plastics and the plastic arts

Raewyn Martyn, Heather Galbraith
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Photography with/in a Broader Humanity

Christopher Houghton
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Cultivating Chlorophilia Exploring connections with nature through co-operative and participatory art projects

Heather Hesterman
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Walking in Merri Circles

Heather Hesterman
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Tender Places The Claypans Diaries, Part 1 and 2

Kelly Lee Hickey
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Encounters with Indigenous Forest and Intuitive Painting

Leighton Upson
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Creative Practice Focus

Drawn Chorus Creation of embodied drawing processes responsive to the detrimental impact of human-produced sound on humpback whales

Maria O'Toole
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Abiotic Perspectives?

Rob Kettels
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Present Pasts

Nicola Dickson
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